Jeff Lovett A collection of research in process.

27Jan/10

Strange Geoglyphs Discovered Beneath Clearcut Amazon

As reported by Treehugger

geoglyph photo

Because they are difficult to see from the ground, most geoglyphs went unnoticed by locals. Photo via Diego Gurgel

With the aid of satellite imagery from Google Earth, soon archeologists in Brazil will be finding more and more large geometric designs carved into the ground in the Amazon rainforest. The geoglyphs are believed to have been sculpted by ancient people from the Amazon region around 700 years ago, though their purpose is still unknown. So far, nearly 300 geoglyphs have been identified, but with advances in satellite imaging--and increased clearing of the jungle coverage--scientists are hoping to discover many more of these strange, geometric designs.

One of the factors that contributed to so many geoglyphs being undetected prior to the aid of satallites is their enormous size. According to leading geoglyph scientist Alceu Ranzi, his latest discoveries--five sets of geometric shapes, with circles, squares and lines--can measure more than a mile from one extreme to another.

You do not see them in field. There is a difference in the color of grass but is very thin. If there were no satellite images, there would be no possibility [of making these new discoveries].

Because they've been so hard to find, the first geoglyphs weren't discovered until the 1970s. Since then, scientists have been trying to piece together what significance they may have had to ancient Amazonians. What ever the purpose may have been, there's one thing that is certain: the ancient civilizations of the rainforest were more numerous and sophisticated than previously imagined.

According to a report from Globo, the new marks were only discovered because the jungle coverage had been removed to due to deforestation in the Amazon. These structures are deep, with grooves are as large as 12 meters wide and four deep, but it is believed that they were built when jungle abounded--which would make their construction all the more difficult.

Ranzi seems open to other possibilities:

Was it really forest [when the drawings were built] or did they occupy this area at a time of climate crisis, like that of 2005?

The world may never know what drove these ancient civilizations to carve the enormous geoglyphs, like the ones found recently using Google Earth. But, if it takes more clear-cutting in the Amazon rainforest to find out the answer, hopefully it will always remain a mystery.

Also reported by Ogle Earth:

Out of Brazil, a remarkable story, as reported by Treehugger blog: The deforestation of the Amazon has provided one unforeseen boon to archaeologists — the denuded ground has laid bare some amazing pre-Columbian geoglyphs, visible from the air, and thus on Google Earth:

One of the factors that contributed to so many geoglyphs being undetected prior to the aid of satallites is their enormous size. According to leading geoglyph scientist Alceu Ranzi, his latest discoveries — five sets of geometric shapes, with circles, squares and lines — can measure more than a mile from one extreme to another.

geoglyphs-amazon.jpg

Treehugger doesn't provide locations of examples of these geoglyphs, but Globo Amazonia does. For the sake of convenience, here they are on Google Maps — click here to see them on Google Earth.

View Amazon geoglyphs in a larger map

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11Jan/10

Big Muskie First Person

This is a video exploration of the monument to Big Muskie from my point of view.

Big Muskie was the Second Largest piece of land moving equipment ever made.

Here are some of the Dimensions I found on the following site: http://www.worsleyschool.net/science/files/extreme/muskie.html

Weight:
12 million kilograms (12,000 tonnes)
27 million lbs. (13,500 tons)
Bucket Capacity:
165 cubic m (220 cubic yards)
295 tonnes (325 tons)
Height: 68 m (222 ft)
Length of the boom: 95 m (310 feet)
Total length with boom: 149 m (488 ft)
Width: 46 m (152 ft)
Empty bucket weight: 209 tonnes (230 tons)
Power cable diameter: 12.7 cm (5 in)
Electrically powered: 13,800 volts

Big Muskie moved, as do most large mobile drag lines, on two huge hydraulically driven walking feet.

Big Muskie First Person POV from Jeff Lovett on Vimeo.

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13Nov/09

Shawnee Main Street Expedition

The following images are an early iteration of exhibition of my time travelling body of work.

The video seen on the screen and / or in the head mounted display unit is the following:

Shawnee Main Street Expedition from Jeff Lovett on Vimeo.

The following video is objective documentation of the Shawnee Main Street Expedition:

Shawnee Main street Expedition Documentation from Jeff Lovett on Vimeo.

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4Nov/09

LCBD Porch Icon

The Little Cities of Black Diamonds is a micro-region in Southeast Ohio and the locus for my research. This area prospered greatly during the coal boom from the mid 19th century until its crash in the early 20th century.

The buildings in this micro-region have second story porches. These porches, and their decay, exemplify both the historical prosperity and the subsequent economic decline of the last 80 years.

Below is an iconic sketch based on these unique architectural elements.

Sketch Icon copy

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9Oct/09

Multi chair Hi Res BW invert



Multi chair Hi Res BW invert

Originally uploaded by Jeff Lovett


This is an early study for a body of work consisting of many drawings of an artifact from many angles.

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8Oct/09

have a seat by yourself

have a seat by yourself: 2009

close the door

behind you

have a seat

by yourself

take your time

have a seat by your self is an installation consisting of four small video cameras, four projectors a chair and two modeling lights.

Each of the four cameras is positioned off the four corners of the chair and are focused on a single point above the chair. The projectors each receive the live video feed from one camera which are projected on one another creating a single image with four views.

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16Feb/09

APOV Video

This is the documentation of the first "public" testing of the APOV (adjustable point of view) harness. The wearer is John Sanders and the crowd is the New Media Graduate class at Ohio University with professor David Colagiovanni The left portion of the video is all that John was able to see during the experience. The image on the right is a video I recorded during John's experience. The two were synced up and composited in Final Cut Pro.

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8Feb/09

APOV Harness

The Adjustable Point Of View (APOV) Harness is the base structure for four small (1.25" x 1.25" x .5") board cameras to be positioned on and around the body in various configurations. The images from these cameras are viewed through a Head Mounted Display (HMD) unit. The APOV Harness and HMD combination are the foundation for an exploration into the mind's ability to adapt to experience from a different and multiple points of view.

The Slide show below reperesents the prototyping, patterning and fabrication of the primary harness that holds the Quad Processer and Battery. At a future date, the HMD conversion box and the portable recording device will be mounted to the primary harness as well.

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